Thoughts shape us
Construing the obvious
Construing the obvious

A fan of overdoing something

but not running it into the ground. They are complete
opposites with only a fine line separating them.

"An over-indulgence of anything, even something as pure as water, can intoxicate.

"Some people who are obsessed with food become gourmet chefs. Others become eating disorders." ― Marya Hornbacher, Wasted: A Memoir of Anorexia and Bulimia

"You only have to start saying of something : 'Ah, how beautiful ! We must photograph it !' and you are already close to the view of the person who thinks that everything that is not photographed is lost, as if it never existed, and therefore in order to really live you must photograph as much as you can, and to photograph as much as you can you must either live in the most photographable way possible, or else consider photographable every moment of your life." Human beings had two basic orientations: HAVING and BEING HAVING: seeks to acquire, posses things even people BEING: focuses on the experience; exchanging, engaging, sharing with other people" ― Erich Fromm "Determination could easily become obsession." ― N.K. Jemisin, The Hundred Thousand Kingdoms

"We are the wilderness within Screaming out for true expression. Even when we're sleeping, There's no escape from this obsession." ― Jay Woodman

A continual desire

"At the end of the day your ability to connect with your readers comes down to how you make them feel." ― Benjamin J. Carey, Barefoot in November

"As always when he worked with this much concentration he began to feel a sense of introverting pressure. There was no way out once he was in, no genuine rest, no one to talk to who was capable of understanding the complexity (simplicity) of the problem or the approaches to a tentative solution. There came a time in every prolonged effort when he had a moment of near panic, or "terror in a lonely place," the original semantic content of the word. The lonely place was his own mind. As a mathematician he was free from subjection to reality, free to impose his ideas and designs on his own test environment. The only valid standard for his work, its critical point (zero or infinity), was the beauty it possessed, the deft strength of his mathematical reasoning. THe work's ultimate value was simply what it revealed about the nature of his intellect. What was at stake, in effect, was his own principle of intelligence or individual consciousness; his identity, in short. This was the infalling trap, the source of art's private involvement with obsession and despair, neither more nor less than the artist's self-containment, a mental state that led to storms of overwork and extended stretches of depression, that brought on indifference to life and at times the need to regurgitate it, to seek the level of expelled matter. Of course, the sense at the end of a serious effort, if the end is reached successfully, is one of lyrical exhilaration. There is air to breathe and a place to stand. The work gradually reveals its attachment to the charged particles of other minds, men now historical, the rediscovered dead; to the main structure of mathematical thought; perhaps even to reality itself, the so-called sum of things. It is possible to stand in time's pinewood dust and admire one's own veronicas and pavanes." ― Don DeLillo, Ratner's Star This obsession is a curious thing. Sometimes wonder about the merits of devoting so much of myself to a singular climbing objective. Much of the time it beats me down, leaves me hanging my head in despair. But then there are the moments that bring me to life. When excitement wells up inside my chest in a way that doesn't happen in every day life. Today my fingertips were cracked and bleeding. I made no progress despite great conditions. Now I am on the ground and can hardly contain my excitement to get back on the wall. It's a crazy rollercoaster and I owe my family and partners a great deal for encouraging me through it all." ― Tommy Caldwell

Strength and victory... What he would never praise himself for, but whose loss was his most obsessive fear." ― Simona Panova, Nightmarish Sacrifice

"I feel something familiar about this place. This house…" I dragged out a hand and gestured towards it with my thumb. "I dream about it. I've been dreaming about it for years. Being in it." I had her attention. "With you." ― Sofia Grey, Obsession

"Once you start recognizing your own obsessions, you know you're getting old." ― Jeanette Winterso
"He could quite quickly become detached from the nuances of common human emotion. Particularly if he was engaged in some aspect of a scientific problem or research. His work excluded any consideration for the feelings of those around him. And he rarely excused himself or justified his behavior. It was as if he was compelled to focus all his energy on one subject and was unaware that others did not follow his obsession." ― Theresa Breslin, The Medici Seal
"You are not you without me. And everything we are, together, is what we're meant to be." ― Frances de Pontes Peebles, The Air You Breathe

"A true artist removes his heart willingly, allows constructive criticism to stomp it, then puts it back—bruised and aching—as he continues to strive for excellence due to the all-consuming obsession and love for his art." ― H G Mewis

"You become what you think about all day long." ― Ralph Waldo Emerson

"Reality isn't the most pleasant of atmospheres, Lieutenant
But we like to think we're engineered for it. It's a pretty fine piece of engineering, the kind an engineer can respect. Drag in an obsession and reality can't tolerate it. Something has to give; if reality goes, your fine piece of engineering is left with nothing to operate on. Nothing it was designed to operate on. So it operates badly. So kick the obsession out; start functioning the way you were designed to function." ― Theodore Sturgeon, More Than Human

"The teeth!—the teeth!—they were here, and there, and everywhere, and visibly and palpably before me; long, narrow, and excessively white, with the pale lips writhing about them, as in the very moment of their first terrible development."

― Edgar Allan Poe, Tales of Mystery and Imagination

"A hallucination is a species of reality, as capable of teaching you as a videotape about Kilimanjaro or anything else that falls through your life." ― Terence McKenna

"Some time later there was a knock at his door. He was surprised to find it was now evening and the room was quite dark. The knock sounded again. The landlord was at the door. The landlord began to talk, but Strange could not understand him. This was because the man had a pineapple in his mouth. How he had managed to cram the whole thing in there, Strange could not imagine. Green, spiky leaves emerged slowly out of his mouth and then were sucked back in again as he spoke. Strange wondered if perhaps he ought to go and fetch a knife or a hook and try and fish the pineapple out, in case the landlord should choke. But at the same time he did not care much about it. 'After all,' he thought with some irritation, 'it is his own fault. He put it there." ― Susanna Clarke, Jonathan Strange & Mr Norrell

"Osiris, to go directly to the important part of this, was not a "dying god," not "life caught in the spell of death," or "a dead god," as modern interpreters have said. He was the hallucinated voice of a dead king whose admonitions could still carry weight. And since he could still be heard, there is no paradox in the fact that the body from which the voice once came should be mummified, with all the equipment of the tomb providing life's necessities: food, drink, slaves, women, the lot. There was no mysterious power that emanated from him; simply his remembered voice which appeared in hallucination to those who had known him and which could admonish or suggest even as it has before he stopped moving and breathing. And that various natural phenomena such as the whispering of waves could act as the cue for such hallucinations accounts for the belief that Osiris, or the king whose body has ceased to move and is in his mummy cloths, continues to control the flooding of the Nile. Further, the relationship between Horus and Osiris, 'embodied' in each new king and his dead father forever, can only be understood as the assimilation of an hallucinated advising voice into the king's own voice, which then would be repeated with the next generation." ― Julian Jaynes, The Origin of Consciousness in the Breakdown of the Bicameral Mind

"Actually, I do happen to resemble a hallucination. Kindly note my silhouette in the moonlight." The cat climbed into the shaft of moonlight and wanted to keep talking but was asked to be quiet. "Very well, I shall be silent," he replied, "I shall be a silent hallucination." ― Mikhail Bulgakov, The Master and Margarita I sank into a chaos of brief, incoherent and bizarre hallucinations, in which the grotesque and the horrible kept close company. Prostrate, as if I were being garrotted by invisible cords, I floundered in anguish and dread, oppressively ridden by the most unbridled nightmares. A whole series of monsters and avatars swarmed in the shadows, coming to life amid draughts of sulphur and phosphorus like an animated fresco painted on the moving wall of sleep.

There followed a turbulent race through space. I soared, grasped by the hair by an invisible hand of will: an icy and powerful hand, in which I felt the hardness of precious stones, and which I sensed to be the hand of Ethal. Dizziness was piled upon dizziness in that flight to the abyss, under skies the colour of camphor and salt, skies whose nocturnal brilliance had a terrible limpidity. I was spun around and around, in bewildering confusion, above deserts and rivers. Great expanses of sand stretched into the distance, mottled here and there by monumental shadows. At times we would pass over cities: sleeping cities with obelisks and cupolas shining milk-white in the moonlight, between metallic palm-trees. In the extreme distance, amid bamboos and flowering mangroves, luminous millennial pagodas descended towards the water on stepped terraces." ― Jean Lorrain, Monsieur De Phocas

"How did one not obsess over something wonderful? How did one like something a reasonable amount?" ― Helen Hoang

Reality is a hallucination shared by most sane men.

"Somewhat less appropriate was the blast that came from the loudspeaker, recently it had spoken on certain days, on others not at all, but always at the same time, as had been promised, clearly there was a timer in the transmitter which at the precise moment started up the recorded tape, the reason why it should have broken down from time to time we are never likely to know, these are matters for the outside world, it is in any case serious enough, insofar as it muddled up the calendar, the so-called counting of the days, which some blind men, natural obsessives, or lovers of order, which is a moderate form of obsession, had tried scrupulously to follow by making little knots in a piece of string..." ― José Saramago, Blindness