"Why is wisdom so fair? Why is beauty so wise? Because all else is temporary, while beauty and wisdom are the only real and constant aspects of truth that can be perceived by human means. And I don't mean the kind of surface beauty that fades with age, or the sort of shallow wisdom that gets lost in platitudes. True beauty grips your gut and squeezes your lungs, and makes you see with utmost clarity exactly what is before you. True wisdom then steps in, to interpret, illuminate, and form a life-altering insight." ― Vera Nazarian, The Perpetual Calendar of Inspiration

"What are you burning?" On a glance, just some papers. "I write in a journal." He spoke below his breath, so that his words weren't quite for me. "Because I like to see everything written down. So that I know it really happened. That I wasn't just making it up. Then I read it and memorize it. And then I have to destroy the hard evidence." I thought of my own journal, the muddle of every page. All those unfiltered, lunatic letters to Sean Ryan. "What is it, exactly, that you need to destroy?" "Everything that I don't want to be true." ― Adele Griffin, Tighter

"You see, it's really quite simple. A simile is just a mode of comparison employing 'as' and 'like' to reveal the hidden character or essence of whatever we want to describe, and through the use of fancy, association, contrast, extension, or imagination, to enlarge our understanding or perception of human experience and observation." ― Norton Juster, As Silly as Knees, As Busy as Bees: An Astounding Assortment of Similes

"I wish i could tell you that through the tragedy i mined some undiscovered, life-altering absolute that i could pass on to you.I didn't.The cliches apply-people are what count,life is precious,materialism is over rated, and the little things matter,live in the moment-and i can repeat them to you ad nauseam.you might listen, but you won't internalize.Tragedy hammers it hm.Tragedy etches into your soul.You might not be happier.But you will be better." ― Harlan Coben, Tell No One

"It is obvious that the concept of truth has become suspect. Of course it is correct that is has been much abused. Intolerance and cruelty have occurred in the name of truth. To that extent people are afraid when someone says, "This is the truth", or even "I have the truth". We never have it, at best is has us. No one will dispute that one must be careful and cautious in claiming the truth. But simply to dismiss it as unattainable is really destructive. (...) We must have the courage to dare to say: Yes, man must seek the truth; he is capable of truth. It goes without saying that truth requires criteria for verification and falsification. It must always be accompanied by tolerance, also. But then truth also points out to us those constant values which have made mankind great. That is why the humility to recognize the truth and to accept it as a standard has to be relearned and practiced again. The truth comes to rule, not through violence, but rather through its own power; this is the central theme of John's Gospel: When brought before Pilate, Jesus professes that he himself is The Truth and the witness to the truth. He does not defend the truth with legions but rather makes it visible through his Passion and thereby also implements it." ― Pope Benedict XVI, Light of the World: The Pope, the Church, and the Signs of the Times - A Conversation with Peter Seewald

"Today we have to learn all over again that love for the sinner and love for the person who has been harmed are correctly balanced if I punish the sinner in the form that is possible and appropriate. In this respect there was in the past a change of mentality, in which the law and the need for punishment were obscured. Ultimately this also narrowed the concept of law, which in fact is not only just being nice or courteous, but is found in the truth. And another component of the truth is that I must punish the one who has sinned against real love" ― Pope Benedict XVI, Light of the World: The Pope, the Church, and the Signs of the Times - A Conversation with Peter Seewald

It's frightening to think that you might not know something, but more frightening to think that, by and large, the world is run by people who have faith that they know exactly what is going on." ― Amos Tversky

"Truth is an homage that the good man pays to his own dignity." ― Jean-Jacques Rousseau, Reveries of the Solitary Walker

"Sight is one of the most easily deceived senses. I could make a coin disappear and your eyes would believe it gone, even if it were merely up my sleeve." ― Megan Chance, The Spiritualist

"But what a feeling can come over a man just from seeing the things he believes in and hopes for symbolized in the concrete form of a man. In something that gives a focus to all the other things he knows to be real. Something that makes unseen things manifest and allows him to come to his hopes and dreams through his outer eye and through the touch and feel of his natural hand." ― Ralph Ellison, Juneteenth

The historian has to deal with the results of an event, the artist with the fact of the event. An historian in describing a battle says: 'The left flank of such and such an army was advanced to attack such and such a village and drove out the enemy, but was compelled to retire; then the cavalry, which was sent to attack, overthrew...' and so on. But these words have no meaning for the artist and do not actually touch on the event itself. Either from his own experience, or from the letters, memoirs, and accounts, the artist realizes a certain event to himself, and very often (to take the example of a battle) the deductions the historian permits himself to make as to the activity of such and such armies prove to be the very opposite of the artist's deductions. The difference of the results arrived at is also to be explained by the sources from which the two draw their information. For the historian (to keep to the case of a battle) the chief source is found in the reports of the commanding officers and the commander-in-chief. The artist can draw nothing from such sources; they tell him nothing and explain nothing to him. More than that: the artist turns away from them as he finds inevitable falsehood in them. To say nothing of the fact that after any battle the two sides nearly always describe it in quite contradictory ways, in every description of a battle there is a necessary lie, resulting from the need of describing in a few words the actions of thousands of men spread over several miles, and subject to most violent moral excitement under the influence of fear, shame and death." ― Leo Tolstoy